Saturday, August 5, 2017

Amphibian Spaces

BIOMORPHIC ARCHITECTURE – INSPIRATION OF AMPHIBIAN SPACES FROM NATURE


Abstract

Various spaces affect the architecture in that place differently. The spaces may be on land, in water or in air, they tend to give various meanings to the structures there. Some spaces are found to be both on land and in water, called amphibian spaces. This paper focuses on the creation of amphibian spaces in nature and the perception of these spaces by two different architects; Oscar Niemeyer and the Baca architects to create completely varied structures. The architects have taken their concept from the beaver’s lodge and designed their structures, one having taken the form and the other the function.

1. Introduction

Biomorphic architecture models artistic design elements on naturally occurring patterns or shapes reminiscent of nature and living organisms. Though it only became an art movement in 2016, it has its roots in the works of leading figures in the Art Nouveau movement. This architecture has system that affords structural design with the ability to disappear into the wilderness so completely that it is not just bio-mimicry but symbiosis.


  
Fig1: Lyon-saint Exupery Airport railway station, by Santiago Calatrava, has the form of a bird.

The biomorphic architecture studies the function of spaces, their forms and shapes in nature to derive to a more refined and advanced solutions for spaces as nature is quite ahead of us in designing its structures. May it be the shell of a crustacean or a termite hill, it has complex structures that inspire architects to take up that design to effectively execute the function of a particular space.
The structures in nature have various forms and shapes and are built in various spaces. These spaces may be on land, underground, in air, in water or both in water and on land. Such spaces are called amphibian spaces

1.1   Defining Amphibian Spaces

Amphibian spaces refers to spaces that are both, on land and in water. They have a flood mitigation strategy that allows an otherwise-ordinary structure to float on the surface of rising water rather than succumb to inundation. An amphibian space or structure retains its connection to the ground by resting firmly on the earth under usual circumstances, yet it allows a structure to float as high as necessary when flooding occurs.

Amphibious construction may also refer to one of several "hybrid" conditions. Such as where the weight of a structure is partially supported by both land and water simultaneously. Amphibious design also includes the concepts of land use planning, site selection, community resilience issues such as the place of amphibious buildings in multiple-lines-of-defense systems, and policy considerations.

2. Creation of Amphibious Architecture in Nature

The beaver is a primarily nocturnal, large, semiaquatic rodent. They more than justify the title “builder of nature” through its semi-aquatic home. Long before humans, these animals were dominating firm solid spaces within different waters – ponds, channels, lagoons, rivers, streams – creating dwellings well protected from enemies and cold conditions, and for food storage. These extremely capable carpenters use only their bodies as tools. Their large, sharp teeth gnaw and cut, while the front feet are used to push firmly. Their small digits keep sticks and branches in place, and their hind feet are like fins. The tail can push down and transport small trees and also act as a rudder when swimming.



Fig2: external view of a lodge

        fig3: view showing tunneled entrance to lodge

Beaver identify sites to build their community along the edges of water currants and close to trees. A minimum water level of 0.6 to 0.9 m is required to keep the underwater entrance to beaver lodges from being blocked by ice during the winter.  If the water is not deep enough to keep beavers safe from predators and their lodge entrances ice-free, beavers build dams.

Once they’ve found a suitable place, they begin on infrastructure. They start by redirecting the stream, damming it with wooden spikes which they’ve already connected to each other to lessen water’s flow pressure. During the night they gnaw at nearby trees, sculpting the trunks in the shape of sand clocks (timers) until they break. These trees are then deposited in channels approximately 35 centimeters deep and 1.25 meters wide, which are dredged beforehand, so they can float to their destination. Once the tree trunks arrive, the beavers begin to build the dyke. The trunks are well anchored in the muddy bottom, forming a fence. The average height of a dam is about 1.8 m with an average depth of water behind the dam of 1.2 to 1.8 m. The thickness of the dam is often around 1 m or more. The length depends on the stream width, but averages about 4.5 m long.

If the current is fast and strong and the volume of water threatens the structure, the dyke is given a convex contour in the direction of the greater resistance. On the top part of this wall, the beavers leave small holes or spillways to avoid disaster during seasons when the water level rises. The monitoring of the water levels and the maintenance of the dam are the constant work of three or four generations. Occasionally, a large dam will be used for up to a 100 years. The largest beaver dam known to exist is in Wood Buffalo National Park in Alberta, Canada and measures 850 m in length.
 
The next step is to build the lodge itself. This is build upstream a short distance from the dam, over a small mound which is either natural or formed by the beavers using the same materials (sticks, branches, trunks, earth, and mud). The living quarters have one to several underwater tunnels leading to a chamber which, when finished, will be above water level.


Fig4: sectional details of a beaver’s lodge

Beavers reach their lodge by swimming underwater and entering through the tunnels. They are therefore able to protect themselves from predators such as bears, who cannot get in. This hollow inside has a narrow chimney providing good ventilation. The floor of the lodge is carpeted with shavings of dry wood that keep its inhabitants warm. To keep the floor in optimum condition, the beavers gnaw on wood inside the dwelling itself as often as necessary.

The outside of the lodge reflects the inside. Generally, lodges are conical or dome shaped approximately 1.8 meters in diameter by 70 centimeters high on the inside; outside they may be 5 meters in height. Once the building is finished, water is allowed to enter at calculated levels filling the desired spaces. Beavers constantly repair breaks, leaks or damage produced over time.

3. Manmade Amphibian Spaces

It would be interesting to be able to watch animals build cities and houses for people. Through careful observation one can learn from their engineering and architecture. Structures that are based on some of the principles of beaver construction, sharing similar concepts of function, space, structure, and form can be created to form a more symbiotic relationship with the surrounding context.


3.1 The Cathedral in Brasilia, Oscar Niemeyer

The Cathedral in Brasilia, designed by architect Oscar Niemeyer, is based on some of the principles of beaver construction. The cathedral is located in the capital of the Federal Republic of Brazil. Brasilia, built in a central desert area of a continent and country, remains the youngest capital of South America and a large open-air exhibition of the works of Oscar Niemeyer.

Niemeyer saw a compact and clean concept, a volume occurring with the same purity from any perspective and for times of deep religious expression.

In the air born outside the structure of the earth is a cry of faith and hope, then, the gallery is located in semi-darkness to prepare the faithful to show religious order in the contrast of light and the external effects; the faithful depart from the world and are projected between the cathedral and the infinite spaces.

     
Fig5: overview of the cathedral

fig6: side elevation

Outside, the cathedral is surrounded by water. Its outer wall, which is concave, acts as a dam. To enter the building, one must go through a dark, narrow tunnel shaped like a ramp which emerges into an open, light space; it gives one the impression off coming out of an enormous cave.

The church bears much importance in the society, so the design had to have significance and personality against its surroundings. Oscar Niemeyer was sure to make a statement with the powerful expression and unique form of the Cathedral of Brasilia.

It is 40 meters high and holds up to four thousand people. With a circular base about 60 m in diameter, the only visible structure of the cathedral are sixteen concrete columns with a very peculiar shape. Reaching up towards the sky to represent two hands, the columns have parabolic sections.

Hand-painted ceramic tiles were then added to cover the walls of the oval-shaped Baptistery. The Cathedral is completed with its bell tower, housing four bells that were donated by Spain. More obvious details of the interior are the stained glass windows, with different shades of blue, white and brown. These were pieced together to fit between the steel columns, into 30m high triangles that run 10m across. 
                                      

Fig7: architect’s sketch


        

3.1 Buoyant house by Baca Architects

Work has completed on the UK's "first amphibious house" by Baca Architects, which rises in its dock-like foundations to avoid flood water. It has an alternative flood mitigation strategy that allows an otherwise-ordinary structure to float on the surface of rising floodwater rather than succumb to inundation. An amphibious foundation retains a home’s connection to the ground by resting firmly on the earth under usual circumstances, yet it allows a house to float as high as necessary when flooding occurs. A buoyancy system beneath the house displaces water to provide flotation as needed, and a vertical guidance system allows the rising and falling house to return to exactly the same place upon descent. Amphibious architecture is a flood mitigation strategy that works in synchrony with a flood prone region’s natural cycles of flooding, rather than attempting to obstruct them.
Here, the weight of a structure is partially supported by both land and water simultaneously, i.e. where gravity loads are shared by a buoyant substructure and structural elements bearing directly on the solid ground below the water. Another situation is where a mechanical system such as jacks or hydraulic pumps is used to elevate the structure temporarily. A third condition is a "wet proofing" strategy, whereby residents occupy the first floor during dry seasons and move to
an upper storey during periods of flooding.

It has a buoyant foundation which is a particular type of amphibious foundation that is specifically designed to be retrofitted to an existing house that is already slightly elevated off the ground and supported on short piers.  The system consists of three basic elements:  buoyancy blocks underneath the house that provide flotation, vertical guideposts that prevent the house from going anywhere except straight up and down, and a structural sub-frame that ties everything together.  It basically works like a floating dock.  A steel frame that holds the flotation blocks is attached to the underside of the house.  The posts that provide vertical guidance are installed not far from the corners of the house.  Utility lines have either self-sealing 'breakaway' connections or long, coiled 'umbilical' lines.  When flooding occurs, the flotation blocks lift the house and the vertical guideposts resist any lateral forces from wind and/or flowing water.  Any house that can be elevated can be made amphibious.

          

Fig9: buoyant foundation in Baca house (section)
  
fig10: external view of Baca house

The Amphibious house by Baca architects has a defense mechanism that can cope with up to 2.5 meters of floodwater – well above projected flood levels for the area. Four guide posts set into channels in the flanks of the building control and support the movement. The site does not regularly experience severe floods, so every few years the dock will be pumped full of water to test the movement. The structure is plumbed with flexible pipes that can stretch by up to three meters as the house rises in its dock, allowing the residents to continue as much as possible with everyday life. While flooding cannot be prevented, its effects such be managed more effectively. Simple but effective resilience could be offered with more sustainable drainage systems such as green roofs and permeable paving.

Advantages of Baca House

·         The house is elevated to whatever level is required for it to stay above water
·         Unlike permanent static elevation, the house is still protected even in an extreme flood
·         Installation is usually much less expensive than for permanent static elevation
·         The house remains low to the ground, so there are no long flights of stairs to climb
·         The entire structure is less susceptible to hurricane wind damage
·         Long-term issues of soil subsidence and rising sea level are already accommodated
·         The retrofitted house looks essentially the same as it did before
·         Its original (traditional or historic) architecture is preserved
·         The neighborhood retains its original character.


Fig11: Buoyant foundation during flooding



Fig12: Plan of Baca house




 fig13: sectional view


4. Conclusion

Through the above examples it is seen that where Oscar Niemeyer took inspiration for the form and spatial arrangement from nature, the Baca architects have taken the functionality of the beaver’s lodge to create a buoyant house. Having taken the spatial arrangement, the cathedral of Brasilia almost replicates the beaver’s lodge in its composition of spaces and its feel. The Baca house does not replicate the lodge in any form, yet has taken up its concept of buoyancy to make the house flood prone. This shows that taking the inspiration from nature further evolved the design to form better functioning and futuristic structures.


References and Bibliography

·         https://www.google.co.in/
·         http://www.icaade2015.com/
·         Javier Senosiain, “Bio-Architecture”.








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